About us
Mission & Team
Exploring our mission and unveiling the faces behind our team.
Mission
The arcis_collective has the vision to merge chamber music and contemporary dance into a joint performing act.
This vision draws inspiration from chamber music, an art form celebrated for its intimacy, reduced form and emotional depth. arcis_collective is committed to preserving the renowned simplicity and elegance of chamber music and the modernity, freedom and preservation of the individual in contemporary dance while exploring themes of social and cultural relevance through its performances.
Transform musicians into authentic performers, making them an integral part of the theatrical message and and give dancers the opportunity to explore the musical world more deeply by elevating the relationship between the two art forms.
Another objective of the collective is to bring dance to unconventional venues, typically dedicated only to music, giving the audience the opportunity to enjoy a live classical music concert in spaces usually reserved for dance. In doing so, the collective overcomes the separation between these two artistic worlds. We are also interested in the use of incoventional venues by encouraging side-specific performances.
arcis_collective also promotes the deepening of the theatrical and physical language among resident musicians, opening the possibility for other interested musicians to join research meetings with the collective and dance artist who are interested into going deep on music investigation. Looking ahead, the collective intends to expand its collaborations with artists who share this innovative approach to art.
Mission
The arcis_collective has the vision to merge chamber music and contemporary dance into a joint performing act.
This vision draws inspiration from chamber music, an art form celebrated for its intimacy, reduced form and emotional depth. arcis_collective is committed to preserving the renowned simplicity and elegance of chamber music and the modernity, freedom and preservation of the individual in contemporary dance while exploring themes of social and cultural relevance through its performances.
Transform musicians into authentic performers, making them an integral part of the theatrical message and and give dancers the opportunity to explore the musical world more deeply by elevating the relationship between the two art forms.
Another objective of the collective is to bring dance to unconventional venues, typically dedicated only to music, giving the audience the opportunity to enjoy a live classical music concert in spaces usually reserved for dance. In doing so, the collective overcomes the separation between these two artistic worlds. We are also interested in the use of incoventional venues by encouraging side-specific performances.
arcis_collective also promotes the deepening of the theatrical and physical language among resident musicians, opening the possibility for other interested musicians to join research meetings with the collective and dance artist who are interested into going deep on music investigation. Looking ahead, the collective intends to expand its collaborations with artists who share this innovative approach to art.
Roberta Pisu
"The only downside of art?...at some point we return to the real world."
Artistic Direction and Resident Choreographer
Born in Cagliari in 1984, she began her professional training at the “Académie de Danse Classique PrincesseGrace” (France). Later, in July 2010, she completed her studies at the Department of Contemporary Dance at the “Accademia Nazionale di Danza” (Italy). In 2002, she worked as a soloist with the Teatro Lirico di Cagliari. After relocating to Rome and gaining various freelance experiences, she collaborated with Adriana Boriello in 2007 and joined the company “La Compagnia” in 2008 under the artistic direction of Ismael Ivo, Adriana Boriello, Cristiana Morganti, and Margherita Parrilla, with supervision by Pina Bausch. She worked with choreographers such as Jacopo Godani, Robyn Orlin, Wayne McGregor, and Ismael Ivo.
In 2008, she began her career as a choreographer, winning first prize at the Spoleto International Festival. In 2011, she received a choreography scholarship from the “Banff Centre for Arts and Creativity.” In 2012, she worked as a dancer for the company “Liens et lieux danse contemporaine marginale,” under the direction of Johanne Gour in Montreal.From December 2012 to July 2023, she was a solo dancer at the “Staatstheater am Gärtnerplatz” in Munich under the direction of Karl Alfred Schreiner, and she began working as a choreographer there in 2016. Over these 11 years, she participated in numerous productions, collaborating with renowned choreographers such as William Forsythe, Jacopo Godani, Marco Goecke, Alexander Ekman, Jo Strømgren, Michael Schumacher, Antony Rizzi, Christopher Roman, Erna Ómarsdóttir, Annabelle Lopez Ochoa, Nanine Linning, Nora Sitges-Sardà, Marguerite Donlon, Emanuele Soavi, Mauro Astolfi, Gaetano Soto, Edward Clug, Georg Reischl, Gentian Doda, Emanuel Gat, Michael Keegan-Dolan, Adam Cooper, Benoît Lachambre, Eyal Dadon, Roberto Zappalà, Moritz Ostruschnjak, Stijn Celis, Omar Rajeh, Frederic Ravel, Ina Christel Johannessen, RoyAssaf, Guy Nader, Maria Campos, Korsia, and Karl Alfred Schreiner.
As a choreographer for the Gärtnerplatztheater, she created various works, including “MINUTE MADE” (2016), “DE AMORE” (2017), “JE SUIS FAUST” (2018), and “SIE” (2018) in collaboration withthe Philharmonie at Gasteig Munich. Her other works include the premiere of “MOMO” (2018), “FRIDA KAHLO” (2019), and “METAMORPHOSE” (2019). For the production “SPARKS” at the theater, she choreographed “GEBISSEN” (2020), “WHAT SHE DIDN’T SAY…YET” (2022), and “THE ROSE OF SHARON” (2023).
In 2020, she co-founded the Munich-based collective arcis_collective together with the Arcis Saxophon Quartett, where she serves as the artistic director. With the collective, she has created various works, including “HEIMAT” (2020), “2xGETANZT” (2021), the short film “DAVE,” the solo piece “KNITTING GIRL,” and “K.I.nd of Human” (2022), as well as “2xGETANZT” (2023), “2xGETANZT2024,” and “Quirky Nightclub Chronicles” (2024). Other projects include “REGER GETANZT” (2024) for the Max-Reger Festival in Weiden, “Zwischen Welt” (2024) for the opening of the Monheim Cultural Center, “Toi Toi Toy” (2024) for the Hidalgo Festival in Munich, “A Question of Love” (2024), and “Live Love Arcis,” a new monthly event in Munich for the arcis_collective and “ Re-Set” fo the “Accademia Nazionale di danza in Roma”.
She is currently preparing a new creation “WHITE” written for 1 dancer and 1 Musician. Since 2024, in addition to her work as a choreographer and with the collective, she has been teaching composition at the International Dance School Iwanson in Munich.
More information about Roberta Pisu can be found at www.robertapisu.com
Meet our team

Claus Hierluksch
"Artists are alchemists of possibilities."
Music Director, Vice Direction, Musician and Visual artist
Claus Hierluksch (*1987 in Erding) began piano lessons at the age of six under Gerold Huber, later with Prof. Friedemann Berger. His saxophone training started in 1997, and in 2004, he entered a junior program at the Richard-Strauss-Conservatory in Munich for classical saxophone. After graduating in 2007 (with distinction), he studied School Music and Saxophone at the University of Music and Performing Arts Munich. Claus received numerous awards, including first prizes as a piano accompanist in the “Jugend musiziert” competition and, with his ensemble Arcis Saxophon Quartett in 2013, the 1st Prize and Audience Award at the Kulturkreis Gasteig music competition.
His accolades continued, winning the 1st Prize at the International Music Competition Concorso Argento in Italy, a Special Prize at the First Classical Music International Internet Festival “Chance Music” in Moscow, and the 3rd Prize at the 13th Chieri International Music Competition. Claus also achieved success with the Arcis Saxophon Quartett, winning the 1st Prize at the 4th International Contest of Chamber Ensemble Performance in Magnitogorsk, Russia, and the 1st Prize at the 1st Rising Stars Grand Prix in 2016.
His orchestral experience includes playing with various ensembles and orchestras, such as the Bad Reichenhaller Philharmonie and the Nuremberg Philharmonic. Claus, a recipient of multiple scholarships and awards, completed his saxophone master’s studies with Koryun Asatryan in 2016 and has since pursued an international career with the Arcis Saxophon Quartett, earning recognition and support from prestigious foundations and organizations.

Ricarda Fuss
"Art is a way to expand your consciousness by legal means and to intensify your view on life."
Financial director, Brain-storming team member and Musician
Ricarda Fuss studied classical saxophone with Koryun Asatryan and music education at the University of Music and Performing Arts Munich. In 2008 she founded together with Claus Hierluksch the Arcis Saxophon Quartett. She continued her studies doing master’s degrees in saxophone and chamber music in the class of Artemis Quartet at the University of Arts Berlin and the HMT Munich with Prof. Friedemann Berger.
She has taken master classes with Claus Olesen, Sebastian Pottmeier, Daniel Gauthier, Christophe Grèzes, Jean Yves Fourmeau, the Armida Quartet and the Artemis Quartet.
She was scholarship holder of Yehudi Menuhin Live Music Now and of the “PE-Förderungen für Studierende der Musik e.V.”. In 2016 and 2023 she was awarded with a scholarship for music of the city of Munich and 2016 with Bayerischer Kunstförderpreis. Furthermore, she is a member of ECMA (European Chamber Music Academy) since January 2015.
Together with her ensemble Arcis Saxophon Quartett she won First prize and Audience Prize at the “Music Competition of Kulturkreis Gasteig” (Munich, Germany), First Prize at the “International Music Competition Concorso Argento” (Italy), Laureate and Special Prize of the “First Classical Music International Internet Festival “Chance Music”” (Moscow, Russia), First Prize at the “4th international Contest – Festival of Chamber Ensemble Performance named after T.A. Gaidamovich” in Magnitogorsk (Russia) and First Prize at the “1. Rising Stars Grand Prix 2016 – International Music Competition Berlin”.
2013 they released their first album “Arcis Saxophon Quartett spielt Enjott Schneider” on the label Ambiente Audio. Their CD “Rasch” followed in 2017 on Genuin.
Touring activities with the Arcis Saxophon Quartett brought her to the United States, Ecuador, China, Russia, Saudi Arabia, Algeria, Morocco, Turkey, Kuwait, India, Bahrain, Abu Dhabi and Pakistan.

Jure Knez
"Art is a mirror reflecting the soul's dialogue with the world."
Media direction, Visual artist and Musician
Jure Knez, born in 1995 in Celje, Slovenia, began playing the saxophone at the age of 9. After graduating in 2014 from the Conservatory for Music and Ballet in Ljubljana, Slovenia, he pursued classical saxophone studies at the University of Music and Performing Arts Munich, Germany, under the guidance of Prof. Koryun Asatryan.
Additionally, he delved into chamber music as a guest student with his ensemble, Arcis Saxophon Quartett, under the Artemis Quartett at the Berlin University of the Arts and with Prof. Friedemann Berger at the University of Music and Performing Arts Munich. Jure is an alumnus of the ECMA (European Chamber Music Academy).
Since 2015, he has been a scholarship holder of “Yehudi Menuhin Live Music Now” and, from 2016 onward, of the “Regional Development Agency Posavje.” For the academic year 2019/20, he received a scholarship from the “Orlandus Lassus Stiftung.” Alongside his ensemble, Arcis Saxophon Quartett, he received the Bavarian State Award for Arts in 2016. In April 2017, their CD “Rasch” was released by Genuin. In 2021, Jure founded the record label “arcis records.”
Jure has earned several first prizes and golden plaques at national and international competitions such as TEMSIG, Emona, the International Competition Davorin Jenko, the Festival of Chamber Ensemble Performance named after T.A. Gaidamovich, and the International Music Competition Berlin. He has graced stages in the USA, China, the United Kingdom, Russia, Ecuador, Saudi Arabia, and throughout Europe, performing in prestigious concert halls like the Berlin Philharmonie, Gasteig Munich, and Wigmore Hall in London.

Anna-Marie Schäfer
"Art follows the unfulfilled longing for the unspeakable."
Fundraising Manager and Musician
Anna-Marie Schäfer is a versatile saxophonist and chamber musician. Since 2023, she has been the tenor saxophonist of the Arcis Saxophon Quartett and holds a teaching position for saxophone at the University of Music and Performing Arts Munich (HMTM).
In 2022, she completed the Meisterklasse certificate program with Prof. Koryun Asatryan at the HMTM. Prior to that, she graduated with distinction from her bachelor’s and master’s studies with Prof. Daniel Gauthier, as well as chamber music studies with Prof. Han-An Liu at the University of Music and Dance Cologne.
Playing contemporary music and collaborating with composers is an important part of her work. The female composers Konstantia Gourzi and Helena Canovás i Parés wrote solo pieces as well as chamber music for her.
As a soloist, she has performed with the Bergische Symphoniker, the Chamber Orchestra Bonn-Röttgen, and the EUROPERA Orchestra. Since 2020, she has been a substitute player with the Bergische Symphoniker, the Cologne Opera, and the Gürzenich Orchestra. She has been a prize winner in numerous competitions, including the 1st Prize at Jugend spielt Klassik 2019 and the 2nd Prize at the August Everding Competition2020/21 for saxophone quartet.
Anna-Marie Schäfer has received support from various foundations, including the Oscar and Vera Ritter Foundation, the Kölner Gymnasial- und Stiftungsfonds, Freunde junger Musiker München, Deutschen Orchesterstiftung, and the Deutschlandstipendium. In the chamber music sector, she won scholarships from Live Music Now Cologne e.V., the Werner Richard – Dr. Carl Dörken Foundation, and was selected for the Best of NRW concert series in 2020.

Erica D'amico
"When an idea arrives, I trust it. A beautiful game of movements happens when I translate it.
Dancer

Francesca Poglie
"In the end we'll all become stories."
Stage assistant , Ballet Master, Brain-storming team member and Performer
Degree of oriental languages and literatures (hebrew-german) at Venice University Ca’ Foscari (110/110).
Worked as dancer for: EmanueleSoavi Incompany, Staatstheater Darmstadt, Venice Biennale, Theater Duisburg, Opera Koln, Malibran-Fenice Theater, Pfalzbau Ludwighafen, Koln Alte Feuerwache, Aachen Festival, Theater an der Rott, Bregenzer Festspiele, Spellbound Dance Company.
He worked with the choreographers: Emanuele Soavi, Susanne Linke, Johan Kresnik (Main role in the play Ulrike Meinhof), Didy Veldman, Richard Siegel, Mei Hong Lin, Mauro Astolfi, Ron Howell and Graham Vick’s. For Emanuele Soavi she has also been rehearsal assistant for the production “Paradisus”.
She worked as a choreographer in the project Recorder Rewrite, Biennale arte 2019 Pavilion Singapore with the artist: Song-Ming Ang.
Since 2015 she has been the curator of the Lago Dance, dance section of the Lago Film Fest International Film Festival.
Since 2020 she collaborates with the choreographer Roberta Pisu as a performer and assistant (at the Münchner Philharmoniker Gasteig München and Reithalle).

Artists in residency
Willfried Hiller
Leonhard Kuhn
Giovanni Insaudo
Matteo Carvone
Anna Konjetzky
Clara Cafiero
David Cahier
Marta Jáen Garcia
Vittoria Franchina
Fabio Calvisi
Elisabet Morera Nadal
Guido Badalamenti
Amelie Lambrichts
Erica D’Amico
Emmanuelle Nicole Rizzo
Giovanni La Rocca